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2
Sep 10

Apple hits the high notes

Fans of over-analysis surely enjoyed the rumors about what was going to happen at yesterday’s Apple event. Thankfully, that’s all behind us now. It’s time to start over-analyzing what really happened. Here’s my contribution:

Live streaming. Welcome back! After five years, it was good to see you again. If this was a real-world test of Apple’s new billion-dollar server farm as some speculated, I’d give it a 95% rating. The video was fantastic, except for a few glitches. Just need one little tweak in Server #11,355. (Update: See comment below. This may have been Akamai’s technology, not Apple’s.)

The Perky Factor. Haven’t seen Steve this “on” in a while. He was enthusiastic, animated and funny. That’s entertainment.

iOS 4.1. Kudos for fixing the two unforgiveables: (1) the proximity sensor, and (2) the horrid performance on iPhone 3G. Wireless printing is cool, but I’m most anxious to try out the HDR photo feature. You haven’t gotten me to leave my pocket camera at home yet.

iPod shuffle. Feels like a “do-over.” Has any new iPod ever been larger than the model it replaced? Buttons are back. Remote/earphone combo is gone. Much, much better. Apple design leads the industry, but on occasion it does lead them astray.

iPod nano. Holy cow. Home run. Out of the park. Love it to death. Apple will sell a ton of these in the holiday season. Who among us can resist the lure? Just don’t think you slipped this one by us, Apple: Last year, all your marketing was about the cool new video feature, this year you’ve removed it. We’ll let this one slide, only because it wasn’t real video anyway (not HD) and this mini-touchscreen is just too damn cool.

iPod touch. iPhone 4 set us up for this one. It’s exactly what everyone expected: Retina display, dual cameras and FaceTime. And let’s have a big hand for the A4 chip, which is now powering iPod, iPhone and iPad. Nice and snappy.

iPod prices. Our traditional deal with Apple has always been “more features, same price.” Is it my imagination, or are these prices creeping upward? Cue Darth Vader: “I am altering the deal. Pray I don’t alter it further.”

iPod ads. When a company gets big and successful, nobody wants to be the one to screw it up. So you begin to stick with things simply because “they work” — even though the younger, brasher version of yourself wouldn’t have thought twice about shaking things up. The new ads are perfectly fine. They’re just awfully familiar. In fact, the new touch ad (click in the image above and skip to 35:40) is virtually a carbon copy of the 2009 touch ad and the 2008 touch ad — except now FaceTime is added at the end.

iTunes 10. Ping is a huge, huge, huge addition. Until now, Apple has been more of a bystander in social media, and Ping puts them right in the thick of it. Or at least closer to the thick of it. Following friends’ discoveries and following your favorite artists is one of those “why didn’t they think of this before” kind of things. Perfect. I’m already signed up and horrifying my friends with my musical taste.

Zing! Bing! Ping! But can we talk about the Ping thing? Since when does Apple go with a me-too product name? Zing was an embarrassing failure for Dell. Microsoft is putting millions behind Bing at this very moment. Surely there’s a better word in that dictionary somewhere.

AppleTV. Huge step in the right direction, giving us access to Netflix, movies, TV shows, all those good things. $99 is a great price. Its tiny form is impressive, though in practical use not a terrific benefit. It’s still another box with cables sticking out of it. Question: what happens to my current AppleTV? It’s not like Apple to render a product obsolete so quickly. May I have a credit, please?

All in all: great show, Apple. Thank you for a fun and interesting afternoon. Just make sure you terrify the right people in the lead-up to the next show. Your secrets seem to be leaking more and more these days…

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31
Aug 10

The different-thinking iCEO

A classic video of “interim CEO” Steve Jobs has turned up as the result of an archaeological dig. (A discovery credited to John Paczkowski at All Things Digital.) In it, we see Steve introducing the Think different campaign to a group inside Apple 13 years ago, shortly after his return from exile.

Though a few sites have linked to the video, none have noted its exact place in history. This is actually the first moment that the Think different campaign was shared with a soul outside the group who’d been working on it.

If Steve seems more subdued than usual, there’s good reason. We kept him up past 3:00 am the night before, going back and forth with final revisions to the commercial he unveils at the end of this video.

In the end though, these are merely production notes. What’s really important is what Steve had to say. His presentation is both a primer on the value of brand advertising and an insight into the soul of a company. If you dismiss it as yet another example of Steve Jobs programming his automatons, well — you just don’t get it. This thinking is what separates Apple from the hundreds of companies who simply churn out products.

But there’s something else about this video, something that makes its content all the more remarkable. Most CEOs reject the idea of pure brand advertising even in successful times — and here is Steve making the pitch when Apple was on its deathbed. Rather than circle the wagons, Steve went on the offensive. He spent millions simply to tell the world what Apple stands for, believing that only a strong brand could propel the company through tough times.

I can pretty much guarantee that most of the marketing people who watch this video will go to bed tonight wishing they had a client like this. I can absolutely guarantee that only a tiny handful ever will.

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20
Aug 10

A smorgasbord of iPad

Here’s the latest iPad commercial. As one might expect, it features a bunch-o’-stuff you can do with iPad, set to a catchy tune.

However, as a special bonus Apple has cleverly embedded a copywriter’s aptitude test. Here’s the sequence of words that appear on-screen. Which one doesn’t fit the pattern?

iPad is: delicious, current, learning, playful, literary,
artful, friendly, productive, scientific, magical

Visually, iPad does look delicious in this spot — even if Apple neglects to promote it as tableware. For the moment though, let’s just say it remains one adjective short of magical.

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19
Aug 10

BlackBerry’s little dream world

In this world, dreams and aspirations come in every size and shape.

Look hard enough and you’ll find a brain surgeon who wants to be a toreador. Or a truck driver who wants to be a nun. Maybe even a BlackBerry that dreams of being the life of the party.

Well, that’s weird. Here’s that BlackBerry now. AT&T just started running this ad for the new Torch. They sum it up like this: “Business, meet fun. Fun, business.”

It’s a curious approach, because business and fun have not only been meeting for three years — they’ve been shamelessly involved in a wild, passionate affair for all to see. It’s only RIM, maker of BlackBerry, who’s been watching from afar.

But let’s mind our manners, and first lavish this commercial with the creative praise it deserves. It’s tremendously cool. The concept is fantastic. The production is first-rate, the soundtrack is quirkily fitting, and I smile every time I watch it.

Unfortunately, this Torch ad is in serious danger of proving an old marketing adage. That is, nothing kills a bad product faster than a great commercial. Drawing a large crowd can be fatal if the crowd is largely disappointed.

No matter how you twist your reasoning, it’s hard to escape the basic fact: Torch ain’t fun. In fact, it’s shockingly un-fun when compared to iPhone and Android. On the day it was released, it was panned for its underpowered processor and undersized, low-res display (Gizmodo: “like going back to standard definition after a year on HD”). If apps are any indicator of fun, iPhone offers 225,000, Android 100,000 and BlackBerry only 8,000 — most of which aren’t even compatible with the BlackBerry 6 OS at the core of Torch.

Seemingly determined to prove the fun, those mirth-makers at RIM have done just the opposite. They’ve shipped Torch with a version of the 20-year-old arcade game, Sonic the Hedgehog. (Engadget: “the experience is abysmal. Slowdowns, garbled audio, horrible controls. It’s actually kind of sad.”)

Given the grim reality, Torch’s sluggish initial sales are understandable. During opening weekend, there were no lines and no sellouts. Total sales were only a small fraction of what iPhone and Android have seen.

Comparisons to Torch’s competitors are so one-sided, AT&T can’t possibly be talking to the general public with this ad. They have to be talking to long-term BlackBerry customers who have the itch to upgrade, but are being distracted by those flirtatious newcomers. If this is the case, they really mean to describe Torch as “relatively fun.” Compared to the humorless old BlackBerrys many of these people are carrying, the Torch is a laugh riot.

In the end, Torch is a stopgap measure at best. It can only hope to stem the tide of BlackBerry defectors, but clearly it has no hope of stealing customers from iPhone and Android. That’s bad news, considering iPhone and Android are rolling in cash by stealing customers from RIM.

Clearly RIM needs to be less concerned about the party clothes, and more concerned about what’s beneath.

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16
Jul 10

Droid does coolness

Okay, so I’m a day late with this one. Just wanted to drool a bit over the Droid X teaser commercial that ran the night before yesterday’s launch.

I have to admit, this spot hooked me.

I’ve knocked Droid ads in the past for being 99% testosterone with little appeal to the female audience. I wouldn’t make the same criticism of this spot — it’s beautifully produced and, lo and behold, it actually has a story. The soundtrack is perfect. Mercifully absent are the cheesy effects and robot-macho trash talk.

Consistent with Droid’s we’re-not-Apple approach, no spot could be as far removed from Apple’s touchy-feely FaceTime spots as this. While Apple touts babies and relationships, Droid is on a cold, hard quest to uncover new technologies. I’m not saying Apple will suffer for it, only that the two worlds are night and day — just the way Droid likes it.

Bear in mind, this spot is just a teaser. Who knows what the full campaign will look like, but we can safely assume it won’t feature grandma and her new kitten.

I haven’t yet gotten to play with a Droid X, but from what I see of it online, it will give iPhone a run for its money. The huge screen looks amazing, though I’m curious to find out what that means for battery life. The fact that it’s available on Verizon puts even more pressure on Apple at a time when they’ve got their hands full with, uh, other issues.

In the meantime, I’m a sucker for a good story — and this spot does its job well. Kudos to whoever created it. Great work. (If anyone knows who the culprits are, I’d be happy to give them credit here.)

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13
Jul 10

iPhone 4: the show must go on

Apple’s new batch of iPhone 4 ads come at a most interesting time.

iPhones continue to sell like, well, iPhones — yet that thorny little reception issue keeps getting more complicated. Antenna experts debate, competitors take advantage and now even Consumer Reports lobs a grenade, apparently landing a direct hit on Apple’s sense of sportsmanship.

Let the battles rage, I say. For the moment there are new ads to review, and it’s our holy duty to answer the call.

There are four new ads in total, joining the first ad that’s been running for a while now. Like that first spot, the new ones focus on one thing and one thing only: FaceTime. That’s the killer feature, and Apple (thanks to agency TBWA\Chiat\Day) communicates with the simplicity and clarity it’s known for.

There’s a ton of humanity in each of the new spots. In fact, if you don’t take them in moderation, you may suffer an overdose of humanity.

It’s an old joke in marketing that babies and puppies are the only sure-fire hits with customers. Of the four new iPhone spots, one is about a newborn and another is about a baby-to-come. Hmm.

Here’s a quick review of each of the spots:

Meet Her. A new dad uses his iPhone to give his own father a first look at his baby girl. Touching script. Grandpa plays the part perfectly. Heavy on the sap factor, but looks great. Nice touch that the beautiful baby is confined to the mini-screen while we concentrate on the bigger image of gramps.

Haircut. This is a real charmer. It doesn’t set out so obviously to tug at your heartstrings, it’s just an everyday story — which actually makes it more powerful. You don’t feel like you’ve been “played” after you see it. You totally get how iPhone could change the way you communicate.

Smile. This spot succeeds in the same way Haircut does. Not at all heavy-handed, it’s just a moment in life made more touching by iPhone. The girl with the braces is sweet and plays the part perfectly, melting under dad’s gentle pressure in the span of 30 seconds.

Big News. Unfortunately, no matter how cool FaceTime is, you can’t help but think it’s sad that dad-to-be is getting the most important news of his life via iPhone. If the happy couple has really “been working on ‘that thing’ for a while now,” I can think of a few better ways to share this moment.

One technical quibble with these spots is the hand. In Meet Her, it feels totally natural. It moves. It’s real. In the other three spots, it’s like a piece of acrylic — unnaturally perfect and motionless, save a little shifting that appears to be added after the fact. I wonder why all the spots couldn’t have been produced with the reality of Meet Her.

I imagine these ads will work well for Apple, especially in the touchy situation they’ve created with the antenna. Connecting emotionally with customers is the best insulation against damage, and that’s been Apple’s strength for eons.

I will only note that with Apple’s transition from perennial underdog to market leader, its consumer image seems to be evolving from human & cool to human & sappy. Doubtful that Apple will slide headlong into the Hallmark Zone — but when two out of four spots are about babies and fatherhood, the puppies can’t be far behind.

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17
Jun 10

Welcome, iAds … maybe

One juicy part of the new iOS platform is iAds. Presented with much fanfare, iAds let developers put ads inside their apps, so people can plunge into an ad without leaving the app. Apple owns a burgeoning new in-app ad market, and developers own a new revenue stream.

Only one flaw with this plan: we have to look at the ads. In the frenzy over all the money this will make — for developers and for Apple — it’s easy to forget a basic fact of marketing. Nobody actually likes ads.

I’m reminded of the project briefs that were handed out to creative teams at one of my previous agencies. Every brief started with the same paragraph, which went something like this:

The customers don’t like you. They didn’t invite you in. They resent the intrusion. They wish you’d just go away. Now then … what were you going to say to them?

My point is, ads aren’t exactly the #1 draw in customers’ minds.

Sure, ads help make the world go ’round. But they’re also the number one cause of distraction and clutter. It’s not just you and me who think ads get in the way. Apple thinks it too. One of the coolest new features in Safari 5 is Reader — which allows the reader to strip the ads out of articles, making them easier to read.

So on one hand, Apple creates a whole new way to get ads into our lives. On the other, they create a whole new way to take ads out of our lives.

This gives my inner cynic a lot to work with.

First there’s the fact that Apple takes a cool 40% cut on every iAd, while they have zero financial interest in the ads Safari strips away. Second, there’s the perception that the iAd platform is so cool, the ads will be cool. Uh, right. And then there’s the idea that the added revenue from iAds will help developers keep their app prices down, or even make them free. Don’t hold your breath for that one.

Mind you, I’m not complaining — just pointing out some sobering truths. Ads are a fact of life, and Apple has done a great job of creating a rich platform they can control and profit by. I just don’t expect to be squealing with delight as iAds begin to sprout up across all my favorite apps.

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24
May 10

Emergency! Apple adds a few web pages

Forget the BP oil spill. Never mind the European financial crisis. Apple has put up a few web pages.

You’d think by now it would cease to be surprising when grown adults overreact to this stuff. But I’m honestly amazed how many sites reported last week that Apple has started a new Mac campaign with the theme Why you’ll love a Mac — replacing its much-loved (and now much-expired) Get a Mac campaign.

Good lord. Relax.

Why you’ll love a Mac is not a campaign. It’s a series of web pages very much like those Apple has used for years to present the benefits of both Mac and Mac OS X.

Looks to me like the contracts for Justin Long and John Hodgman have simply lapsed and Apple has removed the spots from their site accordingly. Why you’ll love a Mac now tells the feature overview story.

Who knows what the new campaign will be, or if Apple even believes a Mac campaign is required at the moment. But I’ll go way out on a limb and predict that whenever a new campaign begins, it will not be a list of benefits with the theme line Why you’ll love a Mac.

Go about your business, citizens. Remain calm. Help is on its way.

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17
May 10

Adobe: fighting logic with advertising

Aha. So the fight over Flash has turned into this: Apple’s CEO vs. Adobe’s ad agency.

On one side, Steve Jobs lays out his facts in an open letter. On the other, Adobe’s agency plays with design and poetic meter.

Apple states its case for the cost of a few electrons. Adobe spends a king’s ransom on full-page ads in major newspapers.

Sorry, this isn’t debate — it’s just an ad campaign. Even worse, it’s a campaign in which Adobe wraps itself in the flag of freedom, and casts itself as the champion of three million developers. (Three million developers who just happen to keep Adobe’s cash flow flowing.)

I’m sure Adobe would love to turn this into a debate about freedom — anything other than a debate about the merits of Flash. Problem is, freedom is not the issue. Creating the best user experience on iPhone is. And Adobe has failed to rise to that occasion for three years.

Both sides in this debate rely on proprietary technology. Steve Jobs, in his open letter, says Flash is proprietary, but adds, “Apple has many proprietary products too.” He goes on to explain that Apple can’t allow its mobile app development to depend on other companies which may or may not keep pace with iPhone’s capabilities. Since Adobe has failed to deliver a functional Flash for any mobile platform even today, that’s a valid concern.

Apple is 100% guilty of being controlling, and bless their little hearts for it.

“Create-once/deploy-everwhere” apps may have some appeal for developers, but homogenization is not a user advantage. Apple is doing what they’ve done forever — trying to create the best user experience. In doing so, they’re actually the only company who does provide choice.

Apple’s walled (and well manicured) garden of mobile devices is the choice beyond BlackBerrys, Droids, Nexus Ones and what-have-you. It offers that choice to users and developers. Apple’s ever-growing number of customers don’t seem to mind the exclusion of Flash, nor do its ever-growing number of happy shareholders.

When iPhones, iPods and iPads begin to falter, Apple might have reason to re-think their strategy. But even then that would require an Adobe capable of making Flash work right. At this point, all Apple can see are rising sales and an Internet that’s showing signs of moving away from Flash.

True, they also see a bunch of whiny ads from Adobe. But somehow I doubt they’re about to join the movement.

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26
Apr 10

In search of Nook’s elusive award

It’s always annoying when the truth gets in the way of a perfectly good marketing plan.

On Friday, I received an email hyping the “Award-Winning” Nook e-reader from Barnes & Noble. (Snippet above.) I couldn’t help but wonder what award the Nook has won. Since there were no clues in the email, I clicked through to the Nook page.

This is where I found the line to the right. It didn’t exactly clear things up. Is “best of the best” a quote from CES, or is the whole line a quote from CES?

As I would soon discover, the answer is: neither.

I found a CES 2010 wrap-up at Financial Times naming the big winners. Nook was noticeably absent. I visited the official CES 2010 site. Nook isn’t on the winners list, or even the nominees list. PC World highlighted the best of CES 2010, “from genuine 3D technology to slick new e-readers” — but those slick new e-readers didn’t include Nook.

This was starting to feel like the best hidden award in history. Still not ready to toss in the towel, I went back to where I started: the Nook home page. This time I clicked on Reviews. Silly me. It was there all along, right at the top of the list:

“Best of the Best” — 2010 Consumer Electronics Show

The quote is attributed to CES just as all the other quotes on the page are attributed to their respective magazines or sites. But this turns out to be beyond misleading, and just plain sleazy. Click on this quote and you get a snippet from the third-rate website G4. In their opinion, Nook was one of the “best of the best” from CES 2010. Apparently, they are the exclusive holders of this opinion — and it is clearly not an award.

But wait! There is one lone award on this page after all. Nook won “Best New Gadget of 2009″ at the TechCrunch Crunchies awards. Okay, not exactly a biggie. But technically enough to let them call Nook an “award-winning” device — and help foster the illusion that it’s also won big at the CES show.

A hearty shame-on-you to Barnes & Noble, its agency and anyone else who has a hand in this CES “best of the best” skullduggery. Nice work dragging our industry down a few more notches.

Meanwhile, if anyone out there has actually given the Nook an award, please identify yourself. Nook could use a little help.

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